The Jabber
This album is one of the best contemporary blues discoveries I have made last year. A deep, heavy but rich sound. Above that, the album swings and grooves from start to end. To make the musical experience complete: the mastering of this piece of art is splendid.
Highly recommended!
Favorite track: Whatcha Gonna Do?.
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
$15USD or more
Compact Disc (CD) + Digital Album
The CD edition of Century by Elliott Sharp's Terraplane is packed in a beautifully-designed wallet and includes notes from the performers as well as photos. The cover is designed by Janene Higgins and is based on a map of the United States that shows "free states”, "slave states”, and “undecided" ones, as it appeared in the book "American Slavery and Colour” by William Chambers, 1857.
Includes unlimited streaming of Century
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
At the root of these songs and the anthology that compiled them among others, are the twins of joy and despair, resolute hope and the depths of epigenetic loss. They are aesthetic meditations on individual and collective despair as well as the indomitable spirit of humanity. The results of this alchemy of profound feeling are poetry and sounds that shake the world and right it. It is this extraordinary sense of being, this legacy that we honor with these creative offerings. — Tracie Morris
The songs are a century old,but the sentiment,ideas and content are surprisingly (unfortunately) contemporary. Albeit spoken in antique language style.... the songs put on glaring display.... just how little we have advanced in race relations. A century ago the authors of these words were speaking their truths about the tribulations they faced, although those tribulations have mutated with time and new technology.... they are present as ever! The relevance of these tunes... including the use of the N word...are on point as ever! Sharply descriptive, poetic and timeless, these words still cut deep in the souls of American culture to this very moment in time. –– Mikel Banks
At the heart of Terraplane is the blues. A music in itself that is political. Created by folks whose mere existence is a political statement. Elliott takes that tradition and runs with it head on and we the band members march side by side with him. It's heartwarming how our audiences have responded to our grooves and political statements, it is terrifying that we still have to sing them as it seems America has a hard time shaking free from it's checkered past. We play on until the change comes. – Eric Mingus
This latest Terraplane album, "Century", found its genesis in a 2020 radio-play for the Bavarian Radio in Munich commemorating the 100th anniversary of the book Negro, a collection of African-American writings, poems, and song lyrics edited by shipping heiress Nancy Cunard. The book is a collection of African-American writings, poems, and song lyrics. This volume, controversial as it was at its inception, introduced African-American literature and culture from the likes of Langston Hughes, Countee Cullen, and Zora Neale Hurston to the unknowing white world. Beginning with a commission to write five songs based on the uncompromising and blistering texts found in the book, the project expanded. These texts took an unflinching look at life in post-Reconstruction post-WWI America with lynchings, beatings, and blatant racist discrimination the norm, and displayed courageous defiance and clear-headed analysis, often in guttural and graphic terms. The "n-word" was in common usage and is indeed found in some of these lyrics. A century later, how much has changed?
As a son of a Holocaust survivor raised on the necessity of confronting racism in all its forms, I was unsure of how to proceed. With the encouragement, discussion, and collaboration of Tracie Morris and Mikel Banks, songs were written and recorded based on the old texts with new music to bring them to date. "Tol' Mah Capn", "Whip & Trigger", "Stan Boys Stan", "Goin To Atlanta" all frame their anger in a world-weary and slyly humorous stance. New songs as well were composed with Eric Mingus that
comment on the state of things, pointed, but without falling into polemic: "Toppling Statues" is as direct as can be. The album continues with the instrumental memorials "Tulsa '21" and "The Murder of Elijah McClain" - grim reminders of a terrible past that is still very much present. Elijah McClain was a musician and his story resonated deeply with me but his is not the only one: there are far too many of late: their names, their names. The set is rounded out with a century-old song of continual relevance, Blind Alfred Reed's classic, "How Can A Poor Man Stand Such Times And Live?" and a new song, "Exit Strategy", that came out of a deep dive into an old hard drive. Lost guitar parts by the legendary Hubert Sumlin surfaced: obbligati to a track never completed for Terraplane's 2011 album "Sky Road Songs", now ready to go. –– Elliott Sharp, NYC June 2021
Hubert Sumlin - guitar (4)
Al Kaatz - guitar (10)
Melanie Dyer - viola (9)
Taylor Ho Bynum - trumpet (6, 11)
Dave Hofstra - acoustic bass (3, 9)
Don McKenzie - drums
E# - guitars, steel guitar, electric bass, banjo, saxophones, keyboards, electronics, drum programming
Recorded and mixed at Studio zOaR NYC except for drums on 3, 9, 10 courtesy of Don Mckenzie.
Thanks: to all of my collaborators and to Karl Bruckmaier, Katharina Agatos, Joe Mardin, Lila, Kai, Janene.
Publishing:
Tracks 7, 9, 10 - zOaR Music - BMI
Tracks 1, 5, 11 - zOaR Music - BMI & Tradru - ASCAP
Tracks 3, 6, 11 - zOaR Music - BMI & Mikel Banks - BMI
Tracks 2, 4 - zOaR Music - BMI & Sugnim Cire Sounds SESAC
Track 8 - Public domain
Cover design by Janene Higgins.
Image is a map of the United States that shows "free states”, "slave states”, and “undecided" ones, as it appeared in the book "American Slavery and Colour” by William Chambers, 1857
Elliott Sharp’s Terraplane is certainly blues but also something beyond. Begun in 1991, Terraplane has been through many
permutations and synthesizes the intersection of country and urban blues with Mississippi fife & drum bands, post-Ayler jazz, Hendrixian guitaristics, the sonic innovations of Sharp's long-running ensemble Carbon and the rhythmic force of the groove,...more
Something of a meditative flow that feels more important than whatever he is playing at a given moment. Occasional monolithic phrases and delicate shaping of feedback sculpt time. errantzephyr
Similar to the album "Velocities of Hue" it is timbre, narrative arc and stilistic ambiguity/transcendence that captivate me from the first moment. Good solo guitar recordings are almost as rare as flying vehicles crossing the Karman line without rocket/chemical propulsion. In my humble opinion, this is such a recording: wonderful! dr. reckefuss
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